As her soulful, hip-hop stylized lyricisms floated lazily from her to the riotous crowd, Uchis further proved herself less a run-of-the-mill pop act, and more a demanding artist with a dominating stage presence that left no room for down time. For most of her set, fans clamored over the railing, throwing their arms in futile attempts to just be closer to her, some even going so far as to crowd-surf their way desperately to her–and with every baby-voiced lull, Uchis cast them deeper under her spell.
RL GRIME TOUR DATES 2016 HOW TO
Upheld by the hustled buoyancy of her backing band, Uchis is a breakout artist that is both innately at home onstage and knows how to transfer the sensationalism of her fan’s love for her into visible excitements. In her high waisted-jeans, bikini-top, and 80’s flare sunglasses, Uchis, like La Femme, embodied that Beach Goth aesthetic like no other–but it was the tropical, exotic sentiments of her songs that really took listeners by the ear. The risque nature of their act was more a funny condiment than the main course, but La Femme fit perfectly into the outlandish niche of expression that Beach Goth has come to embody for both artists and fans.īack at the BGV Dome stage Columbian-American sensation Kali Uchis gave her massive crowd a taste of her hard-to-pin, genre-hopping flavors, which touch on everything from doo-wop and R&B to indie-rock. Dressed in his pirate-esque outfit,Megnée’s was the heart and soul of the act, eliciting screams from the crowd with ease and strutting in his provocative clothing (or lack thereof) up and down the stage with fervent purpose. Sending hit after funky hit into the crowd, La Femme refused to let up and Megnée’s silvery croons he threw like daggers at them, barking in his native-tongue with cacophonous beauty to the dizzying synth soundscapes his two keyboardists conjured up.
Between their Harry Potter-dressed guitarist and lead singer Marlon Megnée minimal crotch-wear, La Femme’s eccentric rambunctiousness bled into the crowd which, without any ninety-degree sun draining them, took the many wardrobe malfunctions in stride. Over on the Outdoor RX stage, French natives and best-costumed band of the weekend La Femme were busy dazzling with their psych-punk concoctions, as well as their onstage antics. The only redeeming factor of Beach Goth’s flat finale was its still stellar lineup, and day two was as packed as can be with a wide array of standout performances. Like some cruelly designed Rube Goldberg device, Beach Goth 2016 on day two began with a promising overcast skyline that eventually deteriorated into a full-blown catastrophe that led to an entire stage being shut-down, the cancellation of headline acts, and utter confusion due to virtually no communication from the festival’s organizers. With only 1 album out, over 100 million plays on his songs, rave reviews and magazine covers, he has quickly become the darling of the dance world.Īt 25 years old, with his next LP on the way, RL Grime is on the verge of super stardom.It all started with a drizzle. His live show has been celebrated as "an unparalleled force” and has graced the biggest festival stages across the world (Coachella - LA, Lollapalooza - Buenos Aires, STORM - Shanghai etc). He has conquered the electronic space without compromising his identity or his sound, and therefor evokes an unrelenting independence in a world where independence is the utmost rarity. RL Grime is a distinct voice in a sea of monotony. Hitting Auckland, Perth, Adelaide, Sydney and Melbourne in July 2017, this will be RL Grime's first headline tour of the region since April 2015, and his largest to date. In addition to his forthcoming Splendour In The Grass performance, BBE is excited to announce the highly anticipated return of one Australia's favourite international artists, RL Grime. RL GRIME RETURNS TO AUSTRALIA & NEW ZEALAND FOR HIS BIGGEST HEADLINE TOUR TO DATE
0 kommentar(er)
